|Megatron's Master Plan, parts 1 & 2 - 1st generation original script copies|
|Donald done good|
For those of us who found our way into the world of Transformers via the Sunbow cartoon in the mid-eighties, those episodes we remember from childhood still hold a very special place in our hearts and will forever be recognised as the gateway to the hobby we cherish today. In the UK, many of the episodes were not easily accessible and it wasn't until the mid-to-late nineties that a number of fans were able to view seasons 1 to 3 in their entirety, until then VHS tapes were like gold dust. Then the DVDs came and the VHS tapes became worthless. However, as one collector recently said to me wisely, we tend to now enjoy the episodes that we had as children the most. My favourite childhood G1 episode was Megatron's Master Plan, and thanks to Masterforce.co.uk, I now have the original G1 script for that episode, from Marvel Productions Ltd and written by Donald F. Glut.
|Parts 1, 2 and additional/deleted scenes sheet|
|Cast sheet for speaking parts|
This article will focus on the Megatron's Master Plan script, both parts 1 and 2, as well as the additional/deleted scenes sheets that this treasure came with. Masterforce have a stack of other G1 episode scripts, but I'll be comparing some of the key differences between this original script first generation copy that used to belong to story editor Bryce Malek (sent to him by Hasbro for editing), and the final production episode that we all know and love intimately.
|Different dialogue to final episode throughout|
From the very first scenes in the script, there are differences in dialogue and even sequence of events, albeit nothing major. The amount of visual detail and scene-setting evident in the script is just what you'd expect from such a document, and there are pointers to character traits with references to real-life character examples where necessary. Shawn Berger, the main human protagonist in the episode, is referred to as a "hefty, middle-aged, commanding 'Edward Arnold' type" - a famous American screen actor from the early 20th century. It's also interesting to note that Autobots Warpath and Smokescreen were originally intended to have speaking parts in this episode, but the final production version never featured any lines from them.
|Those meddlesome robots|
Those opening scenes where Starscream and the coneheads attack the solar energy facility being opened by the mayor are a great example of how much the original script was altered to suit television. First of all it was edited to exclude the below outlining of how Optimus and the Autobots acknowledge the mayor's call for help, in the cartoon they just show up shortly after the mayor says "Get me the Autobots". You can see Warpath's axed lines in the image below as well, along with Ironhide, Spike, Bumblebee and Prime's lost lines:
|Lots of unused lines here|
One of the key things that makes this script such a special item for me, aside from the above, is just how different the dialogue was in the final production cartoon that aired compared to this first gen. copy that Bryce Malek received, and obviously thoroughly edited. You can see the comment above from Bumblebee about how important "teamwork" is, and that somewhat juvenile lack of sophistication in the script dialogue is present throughout the whole document. In the cartoon, none of those lines are spoken, the Autobots arrive, Prime orders them to transform, then Tracks takes to the sky in order to "throw a little dark on the subject" - one of my favourite lines in the episode, and incidentally that was in the script!
|Who doesn't love coneheads?|
|Warpath is speaking but we never get to hear it!|
The unused mid-battle Autobot banter continues in the script page below, with Smokescreen giving Warpath some stick over his prediction of an easy fight after Thrust comes to Starscream's rescue. Again, no evidence of Thrust's eventual "Taste death, Autobots!" line in the original script. Optimus Prime was even supposed to chime in with an uncharacteristic "I'll bring that braggart down!" to which Thrust responds. Again, none of that made it to the final cut.
|Prime spouting uncharacteristic stuff|
This battle scene is probably one of the few I remember almost word-for-word and scene-by-scene from childhood because of how many times I watched it, and because I felt it was really well-constructed with an unforgettable soundtrack. The lines that were uttered during the fight were much fewer and far between than the script outlines, and I feel the final episode benefits greatly from the reduced volume of in-battle speech, and the higher quality of the dialogue used for the final cut. "Panic will defeat you, Dirge" is another of my favourites from the episode, spoken by Ramjet. That line was originally much simpler and far less memorable.
|Typically submissive Starscream|
While 80% of the dialogue spoken seems to be different to the final version of the episode, other differences can be more profound and interesting, such as a completely different character engaging in a scene or conversation in the script compared to the aired episode.
|Hound and Spike, the love affair that never happened|
|Look! Masterpiece-accurate Bluestreak launchers!|
|One man and his bee.|
When the Autobots are framed by Megatron and the public sees them as evil, during Sunstreaker's tirade the script portrays Hound as their main defender, implying a close relationship between him and Spike that we saw before in the More Than Meets The Eye pilot. By the time Megatron's Master Plan came to air, the relationship between Bumblebee and Spike was far more pronounced, and the final cut of the episode gives those lines to Bumblebee. Another indication of how decisions were made later that changed the direction of the show, and subsequently required further script editing.
As mentioned before, in addition to the full scripts for parts 1 and 2 of Megatron's Master Plan, the set came with a few sheets detailing additional scenes, corrections and notes. These extra bits discuss the framing sequence where Decepticons dress up as Autobots to rob energy from an oil field. Hilariously, it goes to great pains to point out that since Starscream is wearing a disguise and acting as Optimus Prime, he should not be shown as one of the opposing Decepticons rescuing the humans...which of course in the episode final cut he is!
|"WHAT REALLY IS HAPPENING IS..." that no one is paying attention|
|He was so fooled by the disguise that he turned up to fight himself|
The "home movies" line from Dirge is also outlined in these additional notes, as well as a crossed out sequence where Optimus hurls a boulder at Megatron, knocking him backwards, whereas in the final cut Megatron is depicted as being more impervious to Prime's laser attacks. A delightful little nugget and insight into the thinking behind what was undoubtedly one of G1's classic episodes in my opinion.
|Notice Thrust wearing Dirge's bombs|
One of the most amazing things about this script is the inclusion of a number of scenes involving the coneheads and Starscream which were completely omitted from the final aired cut of Megatron's Master Plan. These are not mentioned in the additional scenes and notes, they are in the script proper and were intended to be part of the story.
|Saturday Night Starscream|
After the Autobots are banished from Earth having been wrongly accused, the humans celebrate their new 'friends' the Decepticons with a parade and various special events around the city. There are a number of scenes involving Starscream, the coneheads, Soundwave and his cassettes mentioned in the script, of which only one featuring Soundwave and his minions survived the cutting room.
|You are being deceived|
The first is Starscream on a chat show with a "Slick Johnny Carson type" host asking him about a potential career in Hollywood and feature films, but the real standout omission for me is a scene describing Dirge, Ramjet and Thrust opening a supermarket and signing autographs for their adoring fans. The whole scene is an exercise in juvenile hilarity and I desperately wish we could have seen it animated in the actual aired episode had it survived the edits. "Autograph sounds too much like Autobot!". Brilliant stuff.
|How about the time Optimus drove into your face?|
A very interesting decision because the final episode edit seems to feature the coneheads wherever possible in favour of older characters, even Starscream (we'll see later), but this whole scene was taken out, undoubtedly due its slightly childish and comical nature. As a whole, I think the tone of Megatron's Master Plan is less silly than some of the removed scenes would imply.
|Watch this scene. Now try to get the song out of your head.|
More examples of speaking lines being axed or changed can be seen below, where Bluestreak's lines were removed from the shuttle scene with the Autobots heading into the Sun. Eventually, all conversation on the shuttle ended up being between Prime, Ironhide, Hound, Cosmos and Cliffjumper - with one or two things uttered by Bumblebee and Huffer.
|Bluestreak has always been underused|
|Hound's last stint as travel agent|
The script outlines how the camera should linger on Trailbreaker - the eventual hero of the piece thanks to his forcefield - but the final edit never gives the game away so obviously. Maybe another example of how the slightly immature first draft of the script was improved?
|Welcome to D.C., Decepticon City!|
Generally, part 2 of Megatron's Master Plan is where the differences are more pronounced, not just in dialogue but in actual events and scenes being changed, removed or added between the script and the final aired episode. For once, in the above/below scene, the script seems to have a slightly more believable approach to the dialogue, with Dirge christening the conquered city as "D.C.: Decepticon City" as opposed to the cartoon where Megatron names his prize "Megatronia 1".
|No spoken lines by Dirge here|
It's amazing how just a few seconds of visual scene-setting when animated can equate to almost two whole pages of descriptive text. The below sequence detailing the enslaving of the humans for energy mining is a great example in this epsiode:
|2 Pages of descriptive text...|
|...a mere 10 seconds of footage.|
Up until now we've only discussed scenes from the script that didn't make it to the screen, but there is one example of a whole sequence of scenes being added to the episode that were not ever present in the first script or even the additional notes!
|Added for cartoon, never in script|
The whole chain of events where Chip Chase decides he needs to get to Teletraan 1 - by first getting Spike to incapacitate Rumble as a diversion and then rolling on out of the power station - does not exist in this iteration of the script. One wonders if the scenes featuring Starscream on TV and the coneheads opening a supermarket were cut to accommodate Thrust's chase of Chip.
|A burnt out wreck|
It makes sense that the editors/writers would include these scenes with Thrust chasing down Chip to Teletraan, only to destroy it and give power back top Cosmos, thereby facilitating the return of the Autobots, because in the script their recovery is all a little too simple. Introducing Thrust and Chip's segment into the story allowed the writers to maintain suspense and danger for the Autobots even after Trailbreaker's heroics, as well as link the destruction of the shuttle and the return of the Autobots in a more staged way, rather than the rapid depiction outlined in the script. It also put more spotlight on Thrust and the coneheads, fulfilling season 2's role of selling more Transformers toys. Worked on me, I was a huge Thrust fan and lapped up every second of dialogue he was given in G1.
|The return of Optimus Prime|
The final battle between the Autobots and Decepticons progresses on screen much as it does in the script, and that shouldn't be too surprising as it's the defining battle of the whole 2-part story arc. Much of the dialogue is similar too.
|The gang's all here|
|Seaspray and Gears, turning the tide|
One last alteration to the episode reminds us what the focus of the whole piece was yet again, the script describing the Decepticons' retreat in detail but saying that the camera should linger on Starscream. The final cut shows the camera focusing on Thrust as he is the last to transform and join the retreating horde, making reference to the newer toys requiring advertisement and also to his enormous part in the outcome of the story - a part written in at a later stage than this original script.
The concluding page of the script concentrates on how Shawn Berger should be spared heavy punishment because at one point he tried to save Spike from Ravage and Laserbeak, and it is referred to more than once in part 2 of the episode. This is quite representative of the values and morals that the writers were trying to embed within episodes and the public service announcements (remember "teamwork"?). Yet again, the animated version does away with this a little bit and instead portrays Berger as a man repentant but ultimately having to face justice.
|"From now on we'll always trust our friends..."|
So there it is, a comparison of the original Megatron's Master Plan 2-part script and the final edit that made it to animation. We've had deleted scenes, added scenes, characters that never spoke with long-forgotten lines and even bizarre comic relief that may never have come to light were it not for the discovery of these absolutely historic and significant masterpieces. Reading these documents from cover to cover and watching over my favourite episodes has been a great experience, one akin to holding your cherished childhood G1 toy next to a prototype. A reminder of what could have been and how what we have come to adore so much was built up layer by layer.
|Roll for home|
|Who says the cartoon models don't resemble the toys?|